Pixie Dust Away!

Where were we?  Oh yes... the films.  I was skeptical as most people were.  I mean conjuring up stories of Tink in books is one matter, but when you set things to film, it becomes like etching something in stone... there's no going back.  But I have to admit, they really came through on those small screen adaptations, and really changed the direction of the property altogether.  That world suddenly seemed cohesive, and the audience became really involved.

Of course it all affected our work in a big way... but I thought it was a nice evolution.  They began to create stories written with new characters that are not in the films, but did contain some main elements from the films that contributed a great deal to the new adventures.

Below is one of the images from a story completely centered around the music fairy, Trill. 

And this book was focused entirely on a scout fairy named Mika.

I was also fortunate to have the opportunity to work on character designs for some of these new personalities that shared a secondary role in a Tinker Bell story.  The first image below features Trindle and the second, Rolo who both appear in the book Tink In A Fairy Fix.

If I remember correctly, there was a lot of freedom as to what the characters could look like as long as the design followed the storyline so I often would visualize the character according to what the name sounded like to me.

For Rain and Skye, I only had their names to go on... no storyline was given at that time, so it was a little more of a challenge, but in a way,... even more fun.  For Rain, I wanted her to have the feeling of being wet, in a way... her hair should feel like rain... her clothes should indicate a a feeling of water falling... and particularly raindrops.  

In the case of Skye, I immediately thought of a light breeze and felt she should seem light and graceful.  So, I had done the image on the left.  Then, I offered another version of her a little more "grounded"(on the right) but with a funny little puffy hairdo to indicate clouds. 

It was a great journey to see the property develop and, the books that represented the films were fun to work on as well.

Tinker Bell and the Lost Treasure

The Great Fairy Rescue

The Pirate Fairy

Oh, this next one was an interesting one for me.  Although the illustrations I have done in the chapter books are littered with backgrounds of my invention, I never really had to design a specific location that was particularly important (and therefore had been spared the pressure).  But this one crossed my path for the Fairy Dress Up books.  I had to design the bedroom for Zarina.  They already had her house established in the film, but didn't have her specific room designed so I had a little freedom to set the stage for this.

It was kind of fun trying to remember elements that she might have gathered on her pirate adventure and add them to her decor as well as her pixie dust alchemy equipment.

Tinker Bell and the Legend of the Never Beast

And I was lucky enough to work on a few publicity poses for a couple of the films.

Secret of the Wings

The Pirate Fairy

I was even able to work on some character designs for the Pixie Hollow Games and a little on the latest film as well with the early development of Nyx.

For the Pixie Hollow Games the director suggested I take inspiration from the colorful costumes used in Siena by the contrada people during the famous Palio race celebrations... and having been there in Siena many times, it was great to do the research for this project!

The character of Nyx in Tinker Bell and the Legend of the NeverBeast was really enjoyable, even though a short-lived project for me. And it was fun to work closely with the director of the movie. I really liked what they ended up with in the film... she is a stronger character than what I had interpreted.  But I did enjoy the fact that they kept my porcupine needle idea for her weapon.  There was a question of whether the real needle was that large in relationship to the fairies, but I had given them a real one (that I had bought from a Native American craft supply store) to show that the needles could be quite large.  It was brilliant of them to extend the design of the porcupine needle (stripes) to that of the entire scout team in the film.  They did a great job!

Whoa, that was long, right?  Well, don't worry,... it's the last post about the "Tink Years".

I am grateful that I have been able to participate in this venture.

I am not sure if there will be any future films, but this latest movie, I think, is a stellar piece of work.
Makes me wonder what's next. Well, for now, let's just say "arrivederci" to our friend, Tink... and hope the next time we meet, it will not be in a space trilogy set in the future on a planet containing a deadly Pixie Tree virus threatening the fate of the Neverland galaxy. ;)

Bunnies!

Hey, Guys!  Back again to speak about more bunnies as we enter the season of Spring.  Well, Spring has not really "sprung" here in Milan yet, but looking forward to it after these last cold weeks.

OK, I have 2 sets of bunnies to show you from the Woodland Line.  The first set is more from the Western culture, while the second set has a more of an Eastern flavor.  The Western set started with these small sketches of bunnies.

I wanted to find a simple shape that could still be recognizable as a bunny, and although my first couple attempts on the left may fit the bill for bunnies, I couldn't see them as anything but shapes.  I guess they would be OK for a design, graphic and all.  But kind of wanted more character.  I always want the little guys to be able to perform.  Then, I came up with that little guy on the right.  So, using that as a direction, I gave it a few more shots and came up with these.

I had an idea that these guys would be texting on their mobile devices.  So, I had come up with some texting phrases commonly used to put above their heads.  At first the texting didn't really form a conversation between the bunnies... and I thought that was OK.  But my husband thought they should be texting to each other... which is much funnier as they are right next to each other while texting!  It was a little challenging to come up with some short texting phrases that would amount to a conversation, but I managed and it all seemed to work out in the end. The scene kind of reminds me of family gatherings in the States these days. 

Now for the second set.  As pandas are inspired by my nieces in LA, bunnies come from my niece in Hawaii.  Anyone familiar with Sister Stamps knows my little niece with her best friend, Daba (her stuffed bunny), and I can't draw these little guys without thinking of her.  I decided to make a set of these cute rabbits to use against the washi paper designs that I am working on to go as backgrounds for various characters.  Washi paper being inherently Japanese, I wanted a set of bunnies that would match the paper designs better.  So, I got to work on these couple of sketches.

I thought the little guy on the right would work as he looked kind of Asian to me.  The other guy seemed a little too detailed for what I had in mind.  So, going with the sketchy look again, like with the "2 bears" design, I fashioned a set of 7 rabbits.  Why 7?  Well, in Japanese culture, it is safer to go with an odd number than even (and it's just better design, right?).  4 is considered bad luck because it is associated with death, and 9 is associated with torture (even though that's an odd number), so... couldn't go with that!  7 seems to be considered a lucky number, and "good fortune" was the kanji I had planned to use for the design so it all kind of fit together.  Bunnies, good luck, and the number 7.  What more could anyone ask?

Now, I thought I would throw in the designs I had done for the products as it shows the washi that I worked hard and long for in the background.  The problem with all these products is all the different specs for the design, and I found that for the most part, because everything is so specific, I have to redesign the image almost every time to adapt them to another product.  More in the backgrounds than the characters, but still... it is almost repainting the washi again for every design... and that's so that it looks right on the product but still looks like the original washi that was designed.  Whew!

OK, so at first I thought "panels", because for some reason, that seemed Japanese to me.  I think I am actually associating the rectangular shape to that of Chinese painting instead, but oh well.  Anyway, they seemed to turn out OK and I think if you like to absorb yourself in the pattern of the washi, these are fine.

But then, I thought "brush stroke"!  So, I wanted to see if I could get a more interesting result using a brush stroke effect.  You know, you think doing a brush stroke would be easy.  It's not.  Or maybe it's just me being picky,  but I don't know how many times I hit that "apple z" button.  So after laboring over it for many hours, I managed to come up with several options.

This first one was kind of fun, whimsical and a bit lyrical... but a little too much for being on a bowl.  It started looking forced and just too much.  After all, Asian brush art is more about simplicity.  So, I tried simple and straighter.

But now, it seemed a little too close to what I had before.  Just a straight strip of color.  Why the heck change it if you don't see any difference, right?  Well, it's good to hit the 2 extremes before arriving to a happy medium. 

I was satisfied with this result.  It had enough movement as well as remaining simple.  The mug version of the brush stroke is a little more wild, but thought it still was simple enough to work.  Kind of liked how the bunnies would disappear a little against the white too, playing with the positive and negative spaces.

OK, that's it for now.  I know... long post, right?  Well, it's over... finally.  Thanks for dropping by for show and tell, and hope you had fun!

Denishima Designs and the Cheshire Cat

Wow, it's been a long time, right? Thought this blog was dead? Well, me too! But as they say, "life finds a way", so there may be a faint pulse in the ol' blog yet.

Decided that I might talk about some of the things I'm working on for Denishima Designs. Yes, that's how I called my new e-store on Zazzle – by the way, here's the address right away, go take a look! http://www.zazzle.com/denishima_designs/gifts. It's kind of a fun project to do, and I think it may inspire me to remain a little more faithful to this blog and not be so distracted by life.

I had started out with the Alice Line, which is just an interpretation of the famous Alice stories we know from childhood. It had been just an outlet for me, drawing the characters I love... but then turned into this fun adaptation when adding text to it. I am thinking of releasing the line with no text as well, for those who just prefer the image itself. After all, a picture's worth... well, in this day and age... not as much as it used to be.

The Woodland Line followed closely after and it is proving to be another fun venue. I am using this line to focus on my love of animals, and have brought elements of the cultures that inspire my everyday life. So, you may find a lot of Asian influences, as well as European. Of course, coming from the States has its imprint on me as well, so everything is laced with elements of home.

In addition to these lines, I am currently working on products using the Sister Stamps images I had created together with my sister, Jenny. This line is particularly close to my heart as it brings into the foreground all the things I love about where I've come from... Hawaii. With the blending of Asian and Hawaiian cultures, this is something I am looking forward to sharing with everyone.

And now back to Alice...

So, I had started with the White Rabbit and I introduced him on my Denishima Designs Facebook page – please visit and like it! https://www.facebook.com/denishimadesigns – but now we're on to the Cheshire. But I may revisit the White Rabbit when I present the painted version. Anyway,... the Cheshire.

As I mentioned on FB, I enjoyed the presence of the Cheshire in the Alice story, and oddly gained a sense of security from that character. Even though in this drawing I represented him as very large and a bit overbearing, and that gives him a kind of menacing quality, the layout suggests a cradling effect of the scene. Alice looks upon him with curiosity and a little wariness, bit is not afraid. The Cheshire is more mischievous and although may be intimidating at first, is nothing to fear... and actually can be a comfort in this insane land. Below, I wanted to share a few images regarding this illustration. The original sketch... the one with added text, a swatch of color... and the final paint.

When a friend of mine saw this graphic version, the response was: "Ooooo, scary!" Huh. I never thought of it as scary, but when I took another look, I could understand how it can seem creepy, ya?

I guess I ended up capitalizing on that and even pushed the eeriness a little for the paint. Hee hee.

Well, I am glad I am back to writing on my blog, and I hope you are too! Till next post... CIAO!